Search

kerry buck artist blog

Month

November 2015

The making of…Startled Hare

 

Not so long ago I spent the day printing the plate for Startled Hare. A few visitors to the blog have asked me describe how the plate was made so here are few photos.

I start by laying dried twiggy bits between two sheets of mount board which I then pass through the press so that their forms are impressed into the card. You can see these indents in the second photo. The design is then sketched onto the card working with the impressions of the plants and incorporating them into the design.

I then cut around the hare with a very sharp craft knife and peel the shape off leaving the core of the card exposed. It has a fluffy texture which will hold more ink than the smooth surface of the card and will produce a darker tone. Using gesso and PVA glue I paint facial details and highlights, in this way I can introduce a smooth texture to the fluffy layer and build lighter tones into that area ; it allows me describe the hare’s face and form. The plate is sealed with a varnish before being inked and printed on the etching press. Inking and printing Startled Hare

This is a form of collagraph printing –  a process based on collaging textures to a base plate. Rough textures hold more ink – smoother textures hold less ink and in this way you can build up a range of tone. I keep my plates quite simple tending to work into the plate rather than collaging textures onto it – it is a technique that works for me but it isn’t the only one I use, it all depends on the image I want to create.

Watch this space!

 

 

 

Startled Hare

I have had an order for Startled Hare – but I do not have any in stock. So this morning I have been printing this rather large collagraph plate. Here are some snaps of the process.

  
  
  
  

Orford Ness Inspiration

So, Hubby and I went to Orford Ness for a weekend with the scary camera. I generally twiddle things and press buttons until I get a shot I like – my photography teacher called it ‘instinctive’ – I think she was being polite. Hubby, who is far more analytical, is getting into histograms and actually expects me to know what the twiddling will do before it does it. I suspect he will make a better photographer than me in the long run.

A day was spent stalking Little Egrets and Herons, we also saw Stonechats but they refused to sit still and consequently came out blurry. With much excitement, we watched a tiny black dot circling over the reserve which may or may not have been a Marsh Harrier…of course it is just as likely to have been a pigeon. I do not pretend to be a very knowledgeable bird watcher and I could include on our spotting list some ‘little brown ones’, ‘a red legged one’ confirmed by a bearded fellow with a huge telephoto lens to be a Redshank, and a little creamy orange one with a white eyebrow which turned out to be a Wheatear. This was confirmed by my friend Gwyn by dint of a behavioural description and the photo posted below. I guess this makes me a retrospective bird watcher – I take a photo and ask someone about it later.

I am learning though.

On returning home we played with Adobe Lightroom and discovered that some of our pics were not too bad. I have to credit Hubby with the Little Egret  – I think this beautiful creature will be appearing in a new collagraph print soon.

Create a free website or blog at WordPress.com.

Up ↑